Apple Logic (1.1) Manual de usuario descargar pdf (Pagina 100)

100 Chapter C Connecting Logic to a Mixer

Given that the audio interface has sufficient inputs to handle all of the studio’s

equipment, you would connect your devices as follows:

• input 1—microphone (phantom power active)

• input 2—guitar (phantom power active)

• input 3—synthesizer 1 left output

• input 4—synthesizer 1 right output

• input 5—synthesizer 2 left output

• input 6—synthesizer 2 right output

• input 7—unused

• input 8—unused

• digital input—DAT digital output

• digital output—DAT digital input

• master output—into your amplifier and speakers

• headphone output—headphones

In Logic, you would set up six discrete Audio Input Objects on the Audio layer of your

Environment, as follows:

• Audio Input 1—mono

• Audio Input 2—mono

• Audio Input 3—stereo (for control of synthesizer 1’s left and right channels,

connected to inputs 3 and 4 of the audio interface)

• Audio Input 4—stereo (for control of synthesizer 2’s left and right channels,

connected to inputs 5 and 6 of the audio interface)

• Audio Input 5—stereo (for control of the left and right channels, connected to inputs

7 and 8 of the audio interface)

• Audio Input 6—stereo (for control of the left and right channels of the audio

interface’s digital input)

The outputs of the audio interface are addressed by the Output faders in the Audio

layer of the Environment.

To adjust the incoming levels of the external synthesizers, the microphone, guitar, and

DAT machine, you can simply change the level of the corresponding Audio Input

Object.

Important: The Audio > Audio Hardware & Drivers > Software Monitoring preference

must be active in order to hear incoming audio via the Audio Input Objects.

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Apple Logic (1.1) Manual de usuario Pagina 100