Apple Final Cut Pro 6 Especificaciones Pagina 32
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32 Chapter 1 Working with HDV
To capture HDV footage to the Apple Intermediate Codec or Apple ProRes 422 codec:
1 Click in the Browser to make it active, then choose File > New Bin.
2 Control-click the bin, then choose Set Logging Bin from the shortcut menu.
Your captured clips will be placed in this bin.
3 Name the bin, then press Enter.
4 Choose File > Log and Capture (or press Command-8).
A Capture dialog appears instead of the Log and Capture window.
5 In the Capture dialog, enter a name for the clip, then click Capture.
The capture preview window appears and the camcorder begins playing back video from
its current position. The status area of the capture preview window displays the percentage
of real time in which the video is being transcoded from HDV to the target codec.
6 Press the Escape key to stop capturing.
The video playback on the camcorder stops immediately. The capture preview window
may lag behind, displaying where the video is in the encoding process. As these frames
are processed, the status area of the capture preview window displays the percentage
of frames left to process.
Note: Pressing the Escape key a second time stops the encoding process and cancels
the capture.
After the capture preview window closes, the captured clip appears in your logging bin.
Capturing Footage with Scene Breaks
When you capture HDV footage using the Apple Intermediate Codec or Apple ProRes 422
codec, Final Cut Pro detects any scene or timecode breaks on the tape introduced during
shooting. At each scene or timecode break, a new clip is created during capture. When
capture is completed, these clips appear in the logging bin, and the corresponding media
files are placed on your hard disk.
For example, suppose you begin capturing a clip named Cafe Entrance. When a scene
or timecode break is detected, Final Cut Pro stops writing the first media file and
begins writing a new file named Cafe Entrance-1. Subsequent breaks create media
files and clips named Cafe Entrance-2, Cafe Entrance-3, and so on.
- Final Cut Pro 6 1
- Contents 3
- About High Definition 7
- NTSC-Compatible HD Formats 8
- PAL-Compatible HD Formats 8
- Film-Compatible HD Formats 8
- Working with HDV 11
- 59.94 fps Formats 12
- 25 fps Formats 12
- About MPEG Compression 13
- More About Long-GOP Video 14
- Native HDV Editing Workflow 15
- Steps for Native HDV Editing 16
- Choosing an Easy Setup 17
- Log and capture buttons 18
- Preview area 18
- Logging, Clip Settings, and 18
- Capture Settings tabs 18
- Resize control 18
- Recapturing HDV Footage 25
- Editing HDV Footage 26
- Rendering HDV 27
- 720 lines 37
- 1080 lines 37
- Working with DVCPRO HD 41
- 59.94 fps–Based Formats 42
- 50 fps–Based Formats 42
- DVCPRO HD Frame Rates 43
- 720p60 DVCPRO HD 44
- 720p50 DVCPRO HD 45
- Select to remove 48
- Editing DVCPRO HD Footage 49
- 720p60 Output and Playback 50
- 50 fps 50, 25, and 24 fps 55
- Working with 24p DVCPRO HD 57
- 1080i60, 1080p30 61
- 1080pA24 61
- Working with IMX 65
- About MXF 66
- Choosing an IMX Easy Setup 67
- IMX Format Specifications 68
- Using the Log and Transfer 71
- About File-Based Media 72
- File-Based Media Terminology 74
- Mounting Media Devices 78
- Using the Browse Area 78
- Controls in the Browse Area 79
- Using the Preview Area 82
- Using the Logging Area 84
- Incrementing Logging Fields 85
- Using the Transfer Queue 86
- Pausing and Stopping Ingest 87
- Reingesting Clip Media 88
- Archiving to a Folder 91
- Archiving to a Disk Image 92
- Clear Logging Autofill Cache 93
- 95 95
- An individual P2 97
- Unmounting P2 Cards 99
- Restrictions During Preview 100
- During Transfer 101
- Working with Spanned Clips 101
- Panasonic AG-HVX200E (PAL) 106
- Working with AVCHD 109
- Transferring AVCHD Footage 110
- AVCHD Format Specifications 112
- Working with AVC-Intra 115
- Working with Sony XDCAM 119
- XDCAM HD VBR Easy Setups 120
- XDCAM HD CBR Easy Setups 120
- XDCAM HD422 CBR Easy Setups 121
- About Sony Video Disk Units 129
- A FireWire hard drive 130
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